In Case You Missed It
-
Features
Windhand + Genocide Pact @ U Street Music Hall, DC (PHOTOS)
-
Features
“Female-Fronted” Is Not a Fucking Genre
-
Reviews
Journey, Live in Manila (Eagle Rock Entertainment, 2016)
-
Features
Record Label Profile: Slow Death Records
-
Features
Thief’s Hand: Memphis Hardcore Band’s “Murder” Is a Fittingly Titled Track (PREMIERE)
-
Features
Integrity Guitar Contest Winner Announcement
-
Features
Reflecting on the Impact of Middlesex County College Hardcore Shows in the ‘90s
-
Features
Sugar Thrills: Indonesian Shoegaze Band Delivers Dreamy Hooks on Debut Single
-
Reviews
Sepulchral, From Beyond the Burial Mound (Soulseller Records, 2022)
-
Features
Outside: Ohio Trio Conjure Spirit of ‘90s Shoegaze, Post-Hardcore on “Roses Blue”
-
Features
Sound and Fury 2022 Photo Recap
-
Features
The 1865’s “Blitzkrieg Cops” Is a Response to Rising Police Brutality, BLM Backlash
-
Features
Struck Nerve: Philly sXe Hardcore Unit Returns with New Lineup on “$$$” (PREMIERE)
-
Features
Lead Dream: Santa Cruz Hardcore Band Ups the Violence on ‘Mortal Vices’ (EP PREMIERE)
-
Features
Gloves Off: Metallic Hardcore Quintet Keeps it Dark on “In Reflection” (PREMIERE)
-
Features
Legendary Weapons: New Portland Hardcore Band Brings Raw Straight Edge Sound
-
Features
Intercourse: Hardcore/Noise Rock Band Goes Gnarly on “I Need Saturday Off So I Can Play a Teenager’s Basement”
-
Features
Old Iron: Seattle Sludge Trio Pays Tribute to His Hero Is Gone via New Cover (PREMIERE)
-
Features
Chain Whip: Canadian Punks Blend Hooks and Attitude on Debut 7” (PREMIERE)
-
Features
Jeromes Dream: Listen to San Francisco Band's Superb The Gray In Between Album (EXCLUSIVE)