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In Case You Missed It
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Reviews
Blind Justice, No Matter the Cost (Flatspot Records/Edgewood Records, 2018)
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Features
Method: Des Moines Band Mines Influence from ‘00s Hardcore on Their Debut Album
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Features
Better Days: St. Louis HC Crew Sign Label Deal, Ready EP
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Takacs: Columbus Crossover Thrashers Unleash the Riffs on Deadfall LP
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Little Low: Bay Area Emo Outfit Discuss Their Irresistible Forthcoming EP
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Reviews
The Inner Ear of Don Zientara, by Antonia Tricarico (Akashic Books, 2023)
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Time Walk, Malice at the Palace, Heatseeker + Holy Order @ Central Arts, Denton, TX (PICS)
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The Cutthroat Brothers and Mike Watt Team Up for Swampy Punk Jam on “Wrong” (PREMIERE)
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Lists
Slept-On Records from Classic Labels: Relapse Records
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Nails Announce Every Bridge Burning Album, Release First Single
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Slowbleed Leans More Into the Metallic Side of Their Sound on New LP (TRACK PREMIERE)
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Wasp Mother: Massachusetts Grinders Step Things Up on Self-Loathing EP (PREMIERE)
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Portland Hardcore Punk Scene Comes Together for KBOO Community Radio (PHOTOS)
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Interviews
Bassist Spotlight: Ashli State (Ink & Dagger, Guilt, Comess)
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Private Hell: New RVA Group Fuses Japanese Hardcore x Thrash on “M.M.M.” (PREMIERE)
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Heaven Knows: New Band Offers Synthed-Out New Wave on “I Want to Know” (PREMIERE)
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Reviews
I'm the Man: The Story of That Guy From Anthrax, by Scott Ian with Jon Wiederhorn (Da Capo Press, 2014)
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Features
High on Fire, Power Trip + Devil Master @ Union Transfer, Philly (PHOTOS)
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Great Minds: Nashville Metallic Hardcore Band Leans Into the Groove on New EP
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One of My Biggest Influences: Trevor Strnad (The Black Dahlia Murder) on Henry Rollins