In Case You Missed It
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Features
Hamarr: Indiana Band Walks Metallic Hardcore/Death Metal Line Proudly
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Interviews
Jonathan Buske (Manipulate, Terror, The Promise, Santa Sangre, Another Victim)
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Reviews
Blind Justice, No Matter the Cost (Flatspot Records/Edgewood Records, 2018)
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Interviews
Damaged City Co-Founder Chris Moore on the Fest’s History and This Year’s Installment
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Features
Lesser Beings: New Glasgow Band’s Sound Is Heavy, Aggressive & Miserable
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Features
Maniac: Clevo Hardcore Meets Touch & Go Records on “Live Crucifixion” (PREMIERE)
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Features
Apple of Basilisk: New Band Bursts Out of Toronto Hardcore Scene
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Features
Discourage: Oakland Hardcore Band Spew Venom on “Thoughts and Prayers” (PREMIERE)
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Features
Whipping Post: Leeds Band Takes You on a Manic Ride
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Features
Hawser: Dutch HC Outfit “Bury the Hatchet” w/ Aaron Heard of Jesus Piece (PREMIERE)
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Lists
Best Hardcore Records of 2021: No Echo Contributor Picks
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Features
Duckbeak: Pop-Punk and Hardcore Worlds Combine on Charlotte Band’s New Single (PREMIERE)
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Reviews
Wenches x Choke City, Split EP (Tokyo Fist, Master Kontrol Audio, 2023)
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Features
Sleep Token: This Place Will Become Your Tomb in Context
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Interviews
Gear Nerd: Justin Beck (Glassjaw)
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Features
The Path: Hardcore Band Warns Us Not to “Don’t Drink The Water” (VIDEO PREMIERE)
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Features
World of Pleasure: Meet One of the Sickest Hardcore Bands to Come Out This Year
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Interviews
Nate Phillips (Media Crypt T-Shirts, Traffic Death)
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Interviews
Bassist Spotlight: Curtis Mead (Split Lip, Chamberlain, Model/Actress)
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Features
Wink One: Stand Still Vocalist Debuts Solo Electronic Project via “Change My Mind”