In Case You Missed It
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Features
Big Deal: Michigan Band Focuses on Moshy Crossover Riffs on “Upper Hand” (PREMIERE)
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Lists
10 Essential Hardcore Punk Releases for Spring 2019
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Interviews
Bad World Guitarist Timmy Lodhi on Their Band Name Controversy, New Tracks & More
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Features
Tomb Mold, Superstition, Noisem + Coagula @ Atlas Brew Works, Washington, DC (PHOTOS)
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Features
Demons: “Post-Whatever Rock” Band Kick Ass, Raise Money for Important Cause
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Features
Science Man Fuses Noise Rock, Hardcore Punk + Garage Rock on “Into the Rift” (PREMIERE)
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Interviews
Shawn Connell (Pillsbury Hardcore, P/H\C, End to End, Process, Charred Remains)
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Record Collectors
Record Collector: Mike Ciero, aka thevinylcommand
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Interviews
Regional Justice Center’s Ian Shelton: The Personal and Political in Power Violence
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Features
Druse: NY Band Delivers Atmospheric Post-Hardcore on “Annalisa” (PREMIERE)
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Interviews
Matthias Weeks (Current, Ottawa, .NEMA) Discusses His New Band, Wrong War
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Features
The Grasshopper Lies Heavy: Texas Trio Lets Chaos Loose on “Charging Bull” (PREMIERE)
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Features
Bitch Jagger: Los Angeles Band Aims to Bring “Inclusive and Fun” Hardcore Sound
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Features
Corrupt Vision x Se Vende: Skacore & Melodic Punk Come Together on New EP (PREMIERE)
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Features
Gaawk: New Richmond Trio Delivers Manic Grind on “Bleak Ritual” (VIDEO PREMIERE)
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Features
Sound and Fury 2018: Photo Set #2 (Ceremony)
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Photo Spotlight
Photographer Spotlight: Keith Baillargeon
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Features
Kill Your Idols: Walking Down Memory Lane with the LIHC Greats
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Interviews
Gear Nerd: Dan Mongrain (Voivod)
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Reviews
King Nine, Death Rattle (Closed Casket Activities, 2018)