"While a few of us grew up in the hardcore scene, we were looking to do a different type of project and explore some new forms of songwriting," says Future Waves guitarist/vocalist Chris. "It’s a classic, have some songs, need people, type of band. None of us knew each other before I put out a Craigslist ad looking for people interested in starting a grunge/hardcore project.
"Maxx, our bassist, was the first person to reach out and it was a great fit and he understood exactly the sound we were going for. Adding Rob (guitar) and Tim (drums) has been the perfect mix of people who bring it all together. We’ve all come at the project from different angles and bands over the years, but enjoy this type of music and wanted to see how far we could push this type of sound."
As the New York City-based musician mentioned, Future Waves have roots to the hardcore scene, with its members previously playing in such bands as Right Brigade, Invasion, Iron Edge, and Steel Cage. Their sound is heavy on riffy, angular rhythmic flourishes, and big melodic moments.
"We started out trying to build off of where Quicksand finished with Manic Compression." Chris explains."Strong guitars, phaser/fuzz bass lines, and enough melody in the vocals to head bop to. Over time, we’ve added in more Hum-type elements to try and keep it interesting. It’s a blend of everything '90s for us but still trying to keep a modern approach and something fresh.
"For our demo tape, we literally had a box with a sign that said, 'If you like Quicksand you’ll love Future Waves.' I like to think we’ve moved into our own style and sound, after all, it’s hard to improve on what Walter lays down. I’m happy with our sound now and think our newest releases show a good deal of growth and identity."
Chris got No Echo caught up on Future Waves' most recent release. "The latest record is a 3-song EP that was produced by Will Hirst (Restraining Order, Maniac) at Gate 4 Studios in Massachusetts. Working with Will is always amazing. He understands exactly what you’re going for and is a great engineer. The record is called Wax and was meant to explore some key pieces of my identity/personal history.
"One of the songs closest to my heart is the last track on the record, 'K.B.' It’s a song all about my biological older brother who I’ve never met. I was adopted at 4 months old and I never knew I had a brother until I did some digging in my 30s into where I come from. Learning my brother existed and just sitting down with that information and what it means to be connected to someone you’ve never ever met is what drove the lyrics for that song. It’s an important song for me and one I enjoy playing."
No Echo asks Chris for a snapshot of the NYC music scene of the moment. "NYC is amazing as always. Every week you get shows from promoters like Boredfriends or Miles to Go. The city and the scene provide everything you need. Want to see great touring bands like Soul Blind and Downward, you got it. Need that classic '80s fix? Just hit up Gorilla Biscuits when they play. See a weekday show at Monarch or Gold Sounds, there’s always something happening. It’s the type of city that supports every band possible. It’s a lot of hard work to do it and the people who work hard to put these shows on deserve a ton of shoutouts.
"If you’re looking for a few great bands out of the city right now worth checking out I’d say one is Saline, from NYC but recently made it out to LA. It’s great indie/post mix and just awesome songwriting. Also, let's go heavy and fast with Roll Call. They are the best dudes and bring it every show."
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