In Case You Missed It
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Reviews
Laffing Gas, It’s a Beautiful Day in the Gulch (Beach Impediment Records, 2020)
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Features
Pyrecult: French Band Walks Line Between Metallic Hardcore & Black Metal on New EP
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Reviews
Sumerlands, Sumerlands (Relapse Records, 2016)
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Features
War on Women, HIRS Collective + Demons @ Tap House, Norfolk (PHOTOS)
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Features
California Takeover 2020 (RECAP + PHOTOS)
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Features
The Rook: Long Island Outfit Pulls Out All of the Melodic Hooks on Latest Release
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Reviews
Birds In Row, We Already Lost the World (Deathwish Inc, 2018)
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Lists
5 Most Underrated Frontmen (and Women) of All Time, by Johnny McArthur (The Kindred)
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Interviews
Void Bassist Chris Stover Looks Back on the Band, Working with Dischord Records + More
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Interviews
Cutting Steak: Mitch Reitman (Low End, Cross Me, Slowpanic)
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Features
Periphery, Veil of Maya + Covet @ TLA, Philadelphia (PHOTOS)
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Interviews
Marc Strömberg (Swan Sex, Håll Det Äkta, Visual Artist, Hardcore and Soda)
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Lists
Iron Reagan’s Tony Foresta Talks About Some of His Favorite Hardcore Records
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Interviews
Drift Again: Looking Back at the ‘90s California Hardcore Band with Vocalist Michael Garceau
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Reviews
The Yawpers, Human Question (Bloodshot Records, 2019)
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Reviews
Diztort, Demo (Advanced Perspective, 2017)
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Features
Pissed Regardless: San Diego Metallic Hardcore Quintet Get “Maniacal” on New Track (PREMIERE)
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Features
Sintomas De Techno: Peru Electronic Underground in the ‘80s/‘90s
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Features
Mile High Sunrise Take Us on a Stark & Acoustic Trip via “Push” (PREMIERE)
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Features
Lucky #7: From Graffiti to Sleek Modernism