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In Case You Missed It
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Record Collectors
Record Collector: Thomas Lundin, aka minvinyl
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Features
Sinking: Emo Outfit Returns with Live at Gate 4 Live Video Session (PREMIERE)
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Reviews
I'm the Man: The Story of That Guy From Anthrax, by Scott Ian with Jon Wiederhorn (Da Capo Press, 2014)
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Interviews
Reed Bruemmer (Splattered Records, OVERDOSE, Speedwolf) on His Everyman Music Career
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Features
U+NFest Founder Dana Murphy on the Event’s Legacy and Future
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Features
Dead Heat: Nardcore Crossover Thrash Masters Return with “Endless Torment” (PREMIERE)
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Reviews
Vegas feat. 647, Tetralogy (Self-Released, 2019)
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Reviews
Vanishment, No More Torture (Dead Sage Records, 2023)
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Features
Bigg Egg: Cleveland Outfit Heats Up Reverb-Drenched Punk
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Reviews
Gatecreeper, Deserted (Relapse Records, 2019)
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Features
Jonny Brokenbrow: Meet the UK Painter Paying Tribute to His Love for Hardcore Music
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Interviews
NYHC: New York Hardcore 1980 - 1990 (Interview with Author Tony Rettman)
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Features
Surrogates: Minneapolis Hardcore Punk Outfit Returns With a Pure Ripper
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Features
Entropy Combines ‘90s Post-Hardcore + the Melody of Bob Mould’s Sugar on New Album
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Features
Living Room: Brooklyn Band Fires Off Shoegaze-Kissed Hooks on “Petrol Head” (PREMIERE)
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Features
Record Label Profile: Refuse Records
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Features
Krimewatch, Initiate, Provoke, Khiis @ Humanist Hall, Oakland (PHOTOS)
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Reviews
True Widow, Avvolgere (Relapse Records, 2016)
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Features
Dying for It and WithXWar Discuss Their Upcoming California Tour
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Features
Menace TX: New Pop-Punk Outfit Rises from Lone Star State Hardcore Scene