In Case You Missed It
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Reviews
Skeleton, Pyramid of Skull (Super Secret Records, 2018)
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Features
Vaaska: Texas Band Has Been Delivering Scandinavian-Styled Hardcore for Over a Decade
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Reviews
Infera Bruo, Cerement (Prosthetic Records, 2018)
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Features
The Take: Ex-Madball, Biohazard Members Bring Anthemic Punk on “Comfort Crisis”
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Features
Player Hater: NJHC Outfit Fight the Power on “Systematic Genocide” (PREMIERE)
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Features
The Fest 2021: Photos & Recap Highlights
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Features
Dropdead: Listen to the Band’s First Studio Album in 22 Years (LP STREAM + INTERVIEW)
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Lists
Best Albums from the New Wave of Shoegaze, by Mike Browne (Son of Man)
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Features
Great Reversals: Detroit HC Band Announces New LP, Drops First Track, “No Mind” (PREMIERE)
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Features
Art Spotlight: Eric Himle (Brotherhood, Expire, Bane)
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Reviews
Fixed View, Losing Touch (K.O.T.P. Records, 2022)
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Interviews
Arthur Smilios (World Be Free, Gorilla Biscuits, CIV, Token Entry)
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Features
Cult Fiend: Chicago Crossover Thrash Unit Make Ferocious Debut via Germs of Rot (PREMIERE)
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Features
Living Cursed: San Fernando Valley Band Cherishes ‘00s Metallic Hardcore Sound
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Lists
Freddy Alva’s Favorite Records + Books of 2019
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Photo Spotlight
Photographer Spotlight: Shaun Regan
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Interviews
Corporate Rock Sucks: The Rise and Fall of SST Records Author Jim Ruland
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Features
Milk Money: Salt Lake City Group Channels ‘90s Post-Hardcore Spirit on Debut Album
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Features
Since We Were Kids!: Cali Skatecore Outfit Unleashes “Then We Die” from New LP (PREMIERE)
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Interviews
Jeremy D. Smith (Halfmast, Plagued With Rage, No Reason, The Control, Dead Hearts, Modern Problems)