In Case You Missed It
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Reviews
Tozcos, Sueños Deceptivos (Verdugo Discos, 2018)
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Features
Crossed Keys: Philadelphia Melodic Hardcore Band Returns with “Victim Complex” (PREMIERE)
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Features
Damien Moyal (As Friends Rust, Culture) Introduces LORE, a Fanzine About Demos
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Features
Record Label Profile: Delayed Gratification Records
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Features
Fraud: Boston Hardcore Band Keeps Things "Filthy as F--k" on March of Progress EP
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Features
World Be Free (Members of Judge, Chain of Strength, Strife) Talk New Record (EXCLUSIVE)
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Features
New Hell: Listen to Rhode Island Blackened Hardcore Band’s “Age of Sin” (PREMIERE)
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Features
Final Declaration: Racist Effigies Get Burned Down in Buffalo Hardcore Band’s New Track
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Features
Krimewatch @ Studio Two Three, Richmond, VA (PHOTOS)
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Features
From France to Los Angeles: Meet Overexposure Drummer William Thomas Brunet
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Features
Wild Arrows: Mike Law (Eulcid, New Idea Society) Brings Shimmery Melodies on “Gold Ides” (PREMIERE)
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Features
Art Spotlight: Chris Mollet (Youth Energy Designs)
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Lists
Best Hardcore Records of 2019: No Echo Contributor Picks
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Lists
5 Killer Cover Songs: The Smiths
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Features
Kin Corruption: Greek Metallic Hardcore Band Discusses Their New Album, Local Scene
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Reviews
Husbandry, A Port in a Storm (Self-Released, 2019)
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Reviews
Reserving Dirtnaps, Another Disaster (WAR Records, 2020)
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Features
L.M.I.: Pennsylvania Stoner Punks Offer Dizzying Riffing on “Ghost Teeth” (PREMIERE)
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Reviews
The 1865, Don't Tread on We! (Mass Appeal Records, 2019)
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Interviews
COA Vocalist Colin Campbell: “We’re a Hardcore Band That Tunes to E in a Drop-Tuned World”