In Case You Missed It
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Reviews
Aswang, Say Grace (Kanak Attack Records, 2023)
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Features
Shelter, GIVE, Berthold City & Precious @ Constellation Room, Santa Ana, CA (PHOTOS, RECAP)
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Features
Lacerated: Southern California Metalcore Band on Their Dark Path to The Beauty of Agony EP
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Features
Complex: Northern California Hardcore Band Lands on Our Radar via New EP
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Reviews
French Kiss, Everyday Chemistry (Self-Released, 2019)
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Features
Krimewatch @ Studio Two Three, Richmond, VA (PHOTOS)
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Interviews
Bassist Spotlight: Bryan Garris (Heartstopper, Knocked Loose)
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Features
Skate Legend Steve Caballero Hooks Trust Records up With Playlist
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Reviews
Tuxedo, Tuxedo (Stones Throw Records, 2015)
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Reviews
Swordwielder, Wielding Metal Massacre (Not Enough Records, Profane Existence, 2023)
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Reviews
Harm's Way, Posthuman (Metal Blade Records, 2018)
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Interviews
Chris Daly (Ressurection, 108, Texas Is the Reason, Jets to Brazil, High Disciple)
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Features
Descendents & Circle Jerks Cover Each Other’s Songs on New Split EP
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Features
Leaking Head: Rochester Band Is Rooted in Fine Rust Belt Hardcore Tradition
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Features
Ötzi: Bay Area Post-Punk Band Mixes Gloom + Hooks on New Album
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Features
27: Nineties-Styled Jangly Indie-Pop Returns on “Innocent Lovers” (PREMIERE)
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Features
Give Up Hope: Brockton, MA Hardcore Band Reignites Furious Collaboration via Debut LP
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Reviews
Glorious Wounds, Glorious Wounds EP (Tor Johnson Records, 2024)
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Features
Integrity's All Death Is Mine: Total Domination: Guitarist Dom Romeo's Track-by-Track Breakdown of New Collection
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Interviews
Corporate Rock Sucks: The Rise and Fall of SST Records Author Jim Ruland