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In Case You Missed It
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Features
Iron Gag: New England Band Dials Up Darkened Metallic Hardcore on LPII (PREMIERE)
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Interviews
Leeway’s Eddie Sutton Looks Back on His Brief Tenure as Vocalist of Merauder
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Reviews
Rotten Sound, Apocalypse (Season of Mist, 2023)
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Reviews
Scorpions, Live in Munich 2012 (Eagle Rock Entertainment, 2016)
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Features
Doubt: Yet Another Band Reminding Us Baltimore Hardcore Scene Is One to Watch
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Lists
DIY Hardcore Scene in Germany: Bands to Check Out, Venues to Visit, Labels to Support
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Interviews
Rich Hall (Booking Agent, Painter)
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Features
Honeymoon: Ohio Group Hearts Atmospheric Post-Hardcore on “Form8” (PREMIERE)
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Features
Boston Hardcore Scene Coming Together for Great Cause(s) on Stacked Live Bill
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Features
Santa Barbara Tennis Club: New Punk Band’s Name Is Quite Deceiving
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Interviews
Sick of It All’s Lou & Pete Koller Check In from the Quarantine + An Update on Their Book
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Features
Ghost Town: 5 Songs That Inspired the Podcast
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Features
New Age Records to Celebrate 31st Anniversary with Special Show This Fall (EXCLUSIVE)
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Reviews
Morbikon, Ov Mournful Twilight (Tankcrimes, 2022)
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Features
New Artist Focus: Compulse
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Features
A Discussion About Discharge’s Los Angeles Shows in the 1980s
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Interviews
End It Singer Akil Godsey on His Whirlwind Year & Online Haters Complaining About Hardcore
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Interviews
Record Label Profile: Triple-B Records
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Reviews
Ingrained, D.U.S.T.O.F.F. (The Coming Strife Records, 2019)
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Features
Goodgirl: Texas Trio Combine Melody + Distortion on Debut EP (PREMIERE)