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In Case You Missed It
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Lists
Best Hardcore Albums of 2024
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Features
Suntouch House: Fans of Kiss It Goodbye & Bloodlet Need to Check Their New EP Out Now
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Features
N8NOFACE Melds Abrasive Synths & Punky Hooks on “Hate Me When I’m High” (PREMIERE)
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Interviews
Corporate Rock Sucks: The Rise and Fall of SST Records Author Jim Ruland
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Reviews
Age of Apocalypse, Grim Wisdom (Closed Casket Activities, 2022)
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Features
Descendents & Circle Jerks Cover Each Other’s Songs on New Split EP
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Reviews
BIG|BRAVE, A Gaze Among Them (Southern Lord, 2019)
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Reviews
Renegade, The Truth Shall Kill Them (Nuclear Family Records/Dangerous Goods, 2022)
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Features
Sick of It All’s Koller Brothers: Another Excerpt from Their Forthcoming Book (EXCLUSIVE)
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Features
Cel Damage: California Band Cooks Up Chaos on “If You’re Going to Be a Ghost…” (PREMIERE)
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Features
Ends of Sanity: North Carolina Band Drops New Tracks, Magnitude & Advent Singers Guest
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Features
Chopping Block: Ex-Members of Moving On, Safe & Sound Link Up in New Seattle Hardcore Band
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Features
Dead History: Minneapolis Group Brings to Mind ‘90s Post-Hardcore Sound on Debut LP
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Features
Pilot to Gunner: Listen to “Animal Control” From Returning NYC Post-Hardcore Vets (PREMIERE)
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Interviews
Art Spotlight: Dylan Chadwick
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Reviews
Wristmeetrazor, Misery Never Forgets (Prosthetic Records, 2019)
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Record Collectors
Record Collector: Marcus Kock, aka xmarcuskx
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Features
FireBurn: New Hardcore Band In Soul Control at Debut Live Performance (PHOTOS)
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Reviews
Paternity Test, Incubation Period demo (2022)
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Features
Ash Prison: Power Trio Create An Industrial Metal Hellscape on “Scorn” (PREMIERE)